Humans are captivated by stories. Stories draw people in–they take raw facts and infuse them with meaning and significance. But is it acceptable to take the facts of someone’s life and turn them into an entertaining story? Are we, on the other hand, obligated to make stories of human suffering interesting? And what does that actually mean in practice? When is it okay for someone to tell a story that isn’t their own? Beth Benedix is a professor of religious studies, world literature and community engagement and in her book Ghost Writer (A Story about Telling a Story), she explores the ethics of narrative. In this episode, we introduce the man at the center of her story, Joe Koenig. He’s a Holocaust survivor with an amazing testimony of survival. Beth discusses what it meant to take on telling his story, and the importance of sharing stories of suffering.
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For the episode transcript, click here.
Show Notes:
- Beth Benedix
- Beth is a professor, scholar and writer, but she also runs an amazing organization called Castle Arts
- Ghost Writer: A Story about Telling a Holocaust Story
- More information about the ghetto Joseph Koenig (Koenigheit) lived in with his father Theodore in Częstochowa, Poland
- “The Psychological Comforts of Storytelling” by Cody Delistraty
- Meyer Bronicki’s testimony
Thanks to Evelyn Brosius for our logo. Featured image “Needle and Thread” is by Luke Nadeau, CC BY 2.0.
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- “Drone Pine (Simple Treescape variation)” by Blue Dot Sessions
From sessions.blue
CC BY-NC 4.0 - “Gathering Stasis” by Blue Dot Sessions
From sessions.blue
CC BY-NC 4.0 - “Partly Sage (Atmo with Marimba variation)” by Blue Dot Sessions
From sessions.blue
CC BY-NC 4.0 - “Shade Ways (1 Min variation)” by Blue Dot Sessions
From sessions.blue
CC BY-NC 4.0 - “Lakeside Path” by Blue Dot Sessions
From sessions.blue
CC BY-NC 4.0
- “Drone Pine (Simple Treescape variation)” by Blue Dot Sessions
To contact us, email examiningethics@gmail.com.
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